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'HABA' IN BODO SOCIETY

   -Prafulla Hazoary

The act of procreation is part of every living being. The act of procreation in human society to other. The Bodo Society has its own established tradition and custom to solemnise the marriage. Before getting into the crux of the matter, I like to elaborate the following.
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(b)




(C)
The Bodos have no caste hierarchy system. The question of Anuloma and Pratiloma marriage is absent accordingly.
  
Inter-clan and intra-clan marriage are not barred the Bodo Society. The inter-clan marriage as it is observedin Bengali marriage (Palti Ghar), Inra-Julu and Intra-Sengfong of the Dimasa is not maintained in the Bodo Society Instead, the marriage between blood relatives are strictly prohibited.
  
The Bodo society is a patrilineal society with with residual traits of matrilineality.

How mates are chosen and marriage is solemnized ?
  
The Bodo society has four socially established customs in respect of selection and marriage of mates. They are as follows :-

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Arranged Marriage.
  
Marriage by Elopement. (Kharsonani or Dwnkharnai or Gandharva
marriage).
  
Bwnanwi Lainai or Asur Vivaha or Forced Marriage.

Dongkha Hanai or Marriage of an unmarried young man or an windower with an window.
  
Gwrjia janai or Ghar Jamai (Bengali) or Ghor Jowai (Assamese).

Arranged Marriage
  
This is the most accepted and practiced sytem of Bodo marriage. The guardian of the marriageable young man choose the bride with due consent of bridegroom. There is one Bodo proverb to that effect. The proverb is "Jerao thuri nuyw beonw bhati garw, jerao jwn nuyw beonw goy khithou garw". (Where we see thatch, we drop bathi and where there is maiden we drop goy khithou). Here Bhati means a bamboo used for carrying bundles of rice, gunny bags and goy khithou denotes cut pieces of the ending portion of the betel nut fruit. The guardian of the family or his represntatie proposes the marriage of the girl with their eligible bridegroom with due humility. The social custom or requirement on such occasion is two matured bottles of rice beer to be brought by the guardian of the bridegroom. The proposal is put forward by the respresentatives stating that the father of the bridegroom has chosen the bride. If girl's father agrees, then bridegroom will come over to bride's house for formal introduction between the bride and bridegroom. The interaction between the boys and girls are accepted norm of the society. Proposal of marriage is considered after obtaining verbal consent from both the girl and boy. Once the proposal is accepted by bride's side, the arrangement of marriage ceremony is made in the house of bridegroom.
  
In Bodo society the marriage is purely an affair to be managed by the bridegroom's family. On confirmation of engagement, the date for solemnizing is fixed convenient to both of the families. Before the Aryanisation of Bodo society, the marriage was solemnized according to convenience of the families involved in the marriage. In modern days, the date of marriage is fixed consulting the Hindu Panjikas where the auspicious moments are studied and dates are fixed. After fixed the date of themarriage, the bridegroom's family makes an elaborate arrangement of marriage ceremony. The rice beer is brewed in terms of Dabhas (big earthen jar) to suffice to receive the bride's party. The bride is accompanied by an entourage of young boys, girls, guardian, Bwirathis, band party and guardian of girl. The guardian of the girl shall be preferably her father, her father's brother or her maternal uncle. It is preferred that the mother of the bride shall not accompany the party. On the day fixed for solemnizing the marriage, the bridegroom's villagers come to the village of bride alongwith Bwirathis for ceremonial march of the bride to the bride's house. They are received formally. Certain social obligations and religious formalities are observed. She takes leave of the members of the family, relatives, her friends and village elders who are not accompanying the bride's to the village of the bridegroom. After leaving father's home, the bride's party marches to the village of bridegroom. Once bride's party reaches the home of the bridegroom, the villagers receive the bride's party with much merriment and dances to tune of bandparty. There are marriage tunes relevant to the occasion. The barlangfas and Bwirathis dance to receive bride. They take a big piece of earth (hathor) on their back during the dance. In Bodo, Ha means earth and Ba means carry of bear. Before entry into the courtyard (Sithla) of the bridegroom's house, feet of the bride is washed. The washing of feet is done by the mother-in-law or any elder women relative of the bridegroom. It is interpreted that the Laxmi (Mainao) has come to her home. The bride or Mainao is received with due honour and sincerity in her new abode. The bride is treated as Mainao of the house who will look after the well-being of the family after her marriage. It has religious and social meaning. The bride is then brought to the outhouse of the family till the marriage is solemnized. In the original Bodo society the Hathashuni from marriage is widely accepted. On arrival of the bride and her entry to the house, a pair of cock and hen is brought before the Bathou alter in the north-eastern corner of the courtyard of the house. The Oja or the priest chants Mantra. A pair of cock and hen is sacrificed at the altar of the God and left to die and become still. After the sacrifice, the villagers see the heads, the body of cock and hen. It is minutely studied. If is minutely studied. If the direction of both the sacrifices are in the same direction then it is believed that the couple will be good pair and marriage will last for long period. If the direction of sacrifices does not remain in the same direction or remain in the opposite direction, then it is believed that either the marriage will not last or there will be not peace from the marriage. After the sacrifice, the meat is cooked with powdered rice. The special curry of the powdered rice is cooked without any spice and condiments (ondla bugob). The curry and other related edibles are cooked by the villagers. Once the cooking is over, the Oja or the priest chant the Mantra of marriage. The bride is direction to pray before the Ishing or Inner Prayer house in main house or Noma-No of the family to whom the bride is married off. The bride and bridegroom are brought near the alter of Batou.
The Oja starts chanting of Mantra at the alter of Bathou in presence of villagers, bride and bridegroom. After offering the prayer the bridegroom is told sit near the Bathou on a Khamflai or flat wooden stool. The bride, then serve cooked rice and the Ondla Bugob. The bridegroom is serve with few handful of cooked rice and Ondla curry. The bridegroom is supposed to gulp down two or three mouthful of rice and leave the place. There is belief in the community that if the bridegroom take bellyful of food, the marriage itself is thought to be started with bad omen. The bridegroom is believed or deemed to the selfish one who is going to consume the whole benefit of the bond of marriage. The meaning of 'Haba' or marriage denotes that both the bridegroom and bride has taken the burden of the earth on their shoulder. The word "Ha" means "Earth" or "Mother Earth" and "Ba" means shouldering "The Burden of Mother Earth". Therefore, the marriage is not only a bond of young and marriageable boy and girl but an acceptance of responsibility for times to come. There is Boro saying, "Bima bifajwng gonga, gandwi gondajwmg gongnanggwn" (A young who does not obey social rule can be bound by the marriage). The interpretation of phrase is that a man who does not obey the rule of the society in his youth can be subdued by the bounded duty of the marriage. The duty and responsibility that brings by the marriage is so heavy that an irresponsible man can also be brought under control of the society through marriage. After completion of the marriage the girl is brought to the "Noma-No" or the main house of the family. In Bodo custom, the "Noma-No" has important significance. No women except the wife, mother, grand-mother, unmarried daughters, unmarried sisters of the head of the family are allowed to enter to the house. A married daughter or married sister of the family are deemed to be Mainao of the other family and hence deemed to be "Malai" or "Other Member" in her original house. It is believed that after acceptance of a women as Mainao in her husband's house, she is not supposed to be Mainao in her father's orbrother's house.
  
Once the ceremony is over, the bride is bright into the Noma-No. The villagers coming with bride are allowed to sit in the centre courtyard of the family. They are allowed to have rest. They are also offered tea, betel-nut and other light food whichever is arranged in the family.
  
There will be respite for all after the ceremony. The newly married pair is brought back to the courtyard to pay respect to the elders from both villages. The bridegroom and the bride offer their respect to all the villagers. They may be either from the bride's village of from the bridegroom's village. The offer of respect is by bowing before the elders and touching their feet as a mark of respect. In turn, the young ones are supposed to bow and touch feet of bride and bridegroom.
  
Thencome the "Nirikh Bosonai: or severance of relation. In this ceremony, the relation of the bride with her blood relatives are deemped to be severed once the ceremony is over. In this occasion, the father, uncle, paternal uncle or any other person from her father or mother's side represent as the guardian of the bride. The Nirikh Bosonai has a great significance in the social system of Bodos. After the Nirikh Bosonai, the bride is no more related to her father's house. Now, she belongs to her husband's house. In earlier days, a girl or bride married off is not even allowed to enter to Noma-No or main house where the guardian of the family sleeps or where the family deity is place (Ishing place in Noma-No) the Nirikh Bosonai or severance of relation after marriage has more significance in the Bodo society. If such formality is not observed by the father of bridegroom during the marriage, the daughters born out of that wedlock shall be married off by the maternal uncles from side of the mother. The right off such daughter is automatically transferred to the maternal uncle of the daughter. This kind if arrangement is called Mamai-mara Janai or marriage offered by the maternal uncle. The Nirikh Bosonai is the last social formality observed by the society in case of marriage. Once the Nirikh Bosonai is over, the father, uncle or any one of the guardian of the family explain both bride and bridegroom relating to the responsibility of the couple has to undertake in real and married life. It is also said that the responsibility of wellbeing of the bride is automatically on the bridegroom does have to shoulder the responsibility of looking after the bride and offspring coming out of the wedlock. On the other hand, bride has also responsibility to her husband in the married life. The Bodo saying is that the bridegroom is given with a stick and a rope to control his wife (Laothi gongse arw fage dwngse hwkhabai, bengnanwi jadw). The saying is too hard and tough on the bride and on women. After the Nirikh Bosonai, the persons accompanying the bride leaves the home of bridegroom. Thus ends the marriage of Bodos.next day, grand drinking and eating is arranged in the home of bridegroom. The marriage is consummated on the following night of the marriage.
  
There more formalities to be followed by the new couple. The proceeding of the couple on the eight day of marriage (Athimangala or Athmangla) seems to be a tradion brought by the Brahma relegion. The name itself donates its origin. In the Athimangla, the bride take leaves of her friends offering a cup of tea and such other light foods. It is called Bisina Chara. It is part of Athimangala. No more formalities or obligation remain after the Athimangala.

 

 
HOW A BODO IS BORN AND LIVE IN THE FAMILY.
GROWTH AND DEVELOPMENT OF BATHOU (SIVA) WORSHIP AMONGST THE BODOS
STRUCTURAL ANALYSIS OF BODO FOLK TALES
DOKHONA
A CULTURAL HERITAGE OF THE BODOS
GROWTH AND DEVELOPMENT OF BATHOU (SIVA) WORSHIP AMONGST THE BODOS
THE WORLD OF BODO CREATIVITY : "IN THE PROBING EYES OF TODAY"
    
   
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