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THE FESTIVALS OF THE BODOS
 
According to R.G.Smith festivals are recurring moments of special significance, with the celebrations that fill them. There are so many forms of festivals, i.e. Seasonal Festivals, Calendar Festivals, Limited Festivals etc. Festivals also belong to Great or Little traditions, family or community festivals and purposive festivals.
 
The Bodos have a rich tradition of festival. They have contributed a lot in the field of festivals. The festivals and ceremonies of the Bodos can be classified in to (i) Religious and (ii) Seasonal. Both religious and seasonal festivals are closely connected with agriculture as with all communities of India. In this connection, we can relate the observation of S.C. Dube, “ India is predominantly as agricultural and rural country. The majority of her people live in the countryside.”
 
Among the religious festivals of the Bodos – Kherai, Garja and Marai, and among seasonal festivals – Baisagu, Domasi are the main festivals. Both people have that glory and glamour to the colourful festivals celebrated in North-East states, genuinely Assam.
 
Religious Festivals:
 
Garja, Kherai and Marai: Garja, Khrai and Marai festivals are associated with Bathow worship of the Bodo people. From the time immemorial they worship the Lord Shiva. He is known with various names among the Bodo-Kacharies like, Gila Damra, Khauria Brai, Sri Brai (Shibrai), Bathow Brai etc. Virtually Garja and Marai do not fall within the range of festival. These religious rite of the Bodo people commonly worshipped and performed by all the villagers at a particular worshipping place; but the Marai is a religious rite worshipped and performed privately by the individual families to satisfy the Goddes Marai. Marai puja is not largely prevalent as Garja among the Bodo people.
 
Kherai is a festival in the true sense of the term. After the Garja and other religious rites associated with the Bathow worship, Kherai festival is arranged consecutively on a suitable date fixed by the villagers. In the Kherai festival, Bathow – Shibrai is worshipped among with 18 (eighteen) Gods and Goddess in the various contexts and dances are performed in their honour and glory. The dances are essential and inevitable part of the Kherai worship and they are exhibited in items serially and chromatically The items carry different and distinct significances of various Gods and Goddess. The Dance represents the activities and behaviours of Gods and Goddess. The dances are initiated, guided and controlled by the Doudini, who is the focal figure of the dances. Doudini is the female Shaman or women oracle.
 
The Kherai dance is strictly restricted to the womenfolk. Men are allowed to play on various musical instruments, yet they have to maintain the honourable distance with the precinct.
 
The Doudini is at first consecrated by the Deuri (the priest) before the alter of the Bathow. He is the head of the festival to observe and preserve all he sanctities of the rituals. Then the dances follow under the guidance of Doudini and menfolk play on the various musical instruments, such as – kham (drum), ciphung (flute), jotha (crymb), Serja (a king of stringed instrument).
 
A Doudini is an oracle possessed of Gods caused by the incantation of one Deuri – the priest of the Bathow worship. At the incantation of the Deuri, the Doudidini become possessed of the God and begins to jerk and tremble her body and sounds three warning being the mother Kamkhya: Beware! Beware! Beware! Then she gives one commandment:
 
  Do not lead your life like a dog,
Do not lead your life like a pig,
If you lead your life like a dog
Being dependents on other,
If you lead your life like a pig
Being dependent of other,
I shall command the tiger to destroy you.

 
 
Then the Doudini begs blessings from the Supreme God – Bura Bathow and other Gods and Deities for the people. At last, she give assurance of peace, prosperity and security to all the people who came under the banner of God and religion, then she begins to move slowly and dance in which the people present accompany the Doudini. This dance is known the dance of the advent of the Doudini. The Doudini is the key-figure in the Kherai dances, the initiating work for the dances by the Doudini is called ‘Doudini Onsranai’ or ‘ Olongi Khangnai’.
 
The Cycle of the dances:
 
(1) The Bathow gidingnai mochanai or the dance of the Advent is the first dance in the Kherai festival, then follow the following dances:
(2) Chatrali, (3) Khapri chibnai, (4) Khoijema fonai, (5) Gandola bonnai, (6) Chagolao Bonai, (7) Mufur gelenai, (8) Nao bonai, (9) Khamao barkhonai, (10) Daothoi longnai, (11) Mosakhaori mosanai, (12) Maoji mengbrang gelenai, (13) Or mononai mosanai, (14) Gorai dabrainai mosanai, (15) Jarapagla mochanai, (16) Nai barnai mosanai, (17) Mainao khuda dihunai mosanai and (18) Kherai golao mosanai.
 
    
   
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